Online Learning of Visual Design Principles

Before we discuss what are some of the design principles that can be applied to online content, we should define what we mean by "Design". This is one of those words that are always present in every industry that produces something, but it often means something different for each person applying its meaning.

For this discussion, we are making the argument that something has to plan his schedule creation, production and use, and that the application of consistent principles canimprove the usefulness of that thing. In the case of online learning content, this means a plan view of the presentation, and evaluation of such content using accepted principles of instructional design. Yet, we are working in a format that requires the consideration of other applications of design ideas from other fields. The use of media types such as typography, images and audio are directly linked with the method of online distribution, both the presentation and the techniqueconsiderations.

In other words, if we are to produce educational content online, we need to be experts in the fields of training, project management, internet technology, graphics, sound design and web development and design, or we need a competent team to support our efforts. However, the procedures for development of each team can vary to such an extent that we can be responsible for various areas within a project or be forced to change hats because of resource constraints.We may not be experts in every field, but we'd better be sure that there are at least passingly informed, if only to know how to assign and evaluate the tasks to other members.

In short, we should look at design as an application of general principles drawn from various disciplines to the various elements of our content in order to make this content more accessible and effective. To do this, we need to draw on ideas as diverse as graphic design, informationarchitecture, instructional design, web design and development, typographic design, development and other audio.

Visual Basic Design Elements

E 'probable that a large part of the online content development will be presented in a visual form. For this reason, it is important to consider what are some accepted principles of visual design being used by professionals and that we could learn from them to apply to our work. However, the principlesare usually applied to the elements or building blocks of visual representations that we should at least note in passing, although not all may apply to our definition of components and how they will apply the principles. A list of these items may include:

point
space
form
tone
form
mass
line
texture
model
time
light
color

Design principles of Visual Basic

Even if the lists of principles of visual designdiffer from individual to individual, most lists will include some accommodation of the following:

scale - usually in conflict with another object
proportion, usually comparing elements of an object to its elements of other
balance - often represented as an 'idea of symmetry
model - usually refers to the movement or placement of elements within a drawing
emphasis - usually a focal point

These principles are interpreted with different intentions depending on theapplication, so it's hard to find a definitive list, so we only suggest this list as an example:

Symmetry / asymmetry - evidence of the position in relation to one another
Proximity - a grouping of items or items meant to signify
Alignment - an application of symmetry which includes the placement of elements along a line in relation to one another
Repetition - the repetition of elements to construct meaning in the eyes of the viewer
Dynamics - the "movement" orapparent progression of elements according to an ordered or disordered
Hierarchy - The granting of an order of dominance or visual elements
Emphasis - to create a visual focal point
Contrast - with disparate elements, of course, to create emphasis
The unit - which combines all the elements in a harmonious presentation

Symmetry / asymmetry

Symmetry is naturally attractive to viewers, because we are taught that it is beautiful. We appreciate symmetrical elementsbecause we knew better when items are indicative of an event. Equal and opposite elements sense and, in a visual sense, are usually considered beautiful. asymmetrical elements within a group are often disturbing and even unnerving to many observers. The appearances of our bodies are symmetrical, so it is understandable that this is a construct of course attractive.

Proximity

The proximity of elements denoting theirrelationship between them. The elements that are closer have a stronger relationship than those that are visually far apart. This applies to the images or text, and is a clear visual indicator to the viewer as to the reports.

Alignment

When objects are aligned along an imaginary line or apparent relevance in a composition, and the order is enhanced for the viewer. Organize visual elements within grids is an old and common practice within a long-Visual design.

Repetition

The repetition reinforces the importance of an element that indicates the importance of this element for the viewer. They may miss the first run, but after a sequence of repeated elements appear, they begin to understand that the element is important. repetitive elements such as colors or shapes also create a connection between elements of different functions, and provide a link to their subconscious mind of the viewer.

Dynamics

Eachvisual collection> elements have some kind of "feeling" to it. If this momentum is organized and focused, then the "feeling" experienced by the viewer should be close to what the creator intended. However, if the elements do not support dynamic planned, then the impression of the spectator can be in contradiction with what the Creator intended.

Hierarchy

People inherently want to understand what is most important in a visual layout, so they can moreeasily identify the content of work. By providing a clear delineation between the relevance of visual elements, the viewer can more easily know what they should be looking, in that order, and why. The lack of a hierarchy leads to confusion and wandering eye.

Emphasis

This idea is related to the hierarchy, since, by providing for a special appearance for the viewer to focus immediately after, the creator can then establish an order for the viewer to follow,or at least to get through a primary focus.

Contrast

Sometimes, the best way to highlight an item is to present its antithesis to the viewer. This highlights the main features of the elements by their absence in its opposite.

Unit

The ultimate goal of any visual project is to draw attention to this or that item in isolation, but to create a coherence between all elements in order to submit a message. Design that is flat and contains no messagesuninteresting and ultimately ignored by the viewer as irrelevant. If the elements of a project may be forced to strengthen a unified message or impression on, the design for its purpose.

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